Square Enix has found a captivating niche with its HD-2D art style, merging the nostalgic appeal of pixelated 2D sprites with modern, high-definition 3D environments. This unique aesthetic has been showcased in new titles like Octopath Traveler and remakes such as Dragon Quest III HD-2D Remake. The combination of retro charm and cutting-edge visuals has struck a chord with fans, particularly in the JRPG community.

The art style, which debuted with Octopath Traveler in 2018, has since become synonymous with Square Enix’s revitalization of classic RPGs. Its success spurred a sequel in 2023 and inspired the Dragon Quest team to adopt HD-2D for remakes of the franchise’s first three installments. While Dragon Quest III HD-2D Remake is already available, fans eagerly await the arrival of Dragon Quest I & II HD-2D Remake, slated for 2025.

Despite the enthusiasm, producer Masaaki Hayasaka, who helmed the Dragon Quest III remake, emphasizes the importance of moderation. Speaking to Bloomberg, Hayasaka noted the risks of oversaturation. Releasing too many HD-2D games in quick succession could dull the charm of the art style, while long gaps between titles might weaken its momentum. Striking the right balance is a delicate task, one that Square Enix is keenly aware of as it plans its future projects.

For now, the HD-2D approach remains a carefully curated tool in Square Enix’s arsenal, used selectively to enhance the allure of beloved franchises. While fans speculate about additional remakes, it’s clear the company is committed to preserving the appeal of this signature style without succumbing to market fatigue.